Tag Archives: Bootleg Theater

Live Arts Exchange Festival [LAX]

September 19–28, 2013

Bootleg Theater
2220 Beverly Blvd, Los Angeles, CA 90057

Show Box L.A. is pleased to present a series of new works by experimental Los Angeles dance artists as part of the inaugural Live Arts Exchange Festival. Show Box L.A. events are presented on rotating split-bill programs during the first two weeks of this three-week series. Featuring:

Jennie MaryTai LiuAfter Rousseau
NICK+JAMESTender Heart
Hann Van Der Kolkdeepbodygl!ttersexpower(pony)party(?)fuckmenow
Meg WolfeShannon does Cloudland 

Friday, 9/20: 7pm (Meg Wolfe, NICK + JAMES)
Saturday, 9/21: 1pm (Meg Wolfe, Jennie MaryTai Liu)
Sunday, 9/22: 4pm (NICK + JAMES, Jennie MaryTai Liu)
Tuesday, 9/24: 7pm (Meg Wolfe, NICK + JAMES)
Thursday, 9/26: 7pm (Hana van der Kolk, Jennie MaryTai Liu)
Saturday, 9/28: 3:30pm (Hana van der Kolk, Meg Wolfe)

• • •
ABOUT LIVE ARTS EXCHANGE
For full festival schedule visit www.liveartsexchange.org

Live Arts Exchange (LAX) creates space for and draws attention to contemporary performance emerging out of Los Angeles. This home-grown performance series showcases some of the most innovative artists and independent companies in LA, creates social events that encourage cross-genre hangouts, and provides opportunity for peer to peer critique.

Produced by Los Angeles Performance Practice and the Bootleg Theater, the first ever Live Arts Exchange pulls contemporary theater and dance, film/video, animation, punk opera, and party into one space. LAX 2013 features work from Early Morning Opera, Show Box L.A., Poor Dog Group, and Chi-wang Yang, with special events with Timur & the Dime Museum, Zoe Aja Moore and Miwa Matreyek.

Pat Payne: Velvet Hammer

September 24, 2012

Monday at 7pm
Bootleg Theater
2220 Beverly Boulevard, Los Angeles, CA 90057

L.A. Lady Arm Wrestlers returns to wrestle in the name of grassroots, non-profit art. Join us as Pat Payne, aka VELVET HAMMER, represents Show Box L.A. during the Fall Brawl of the L.A. Lady Arm Wrestlers event at Bootleg Theater. One part Theater, one part Wrestling. One part Anything-Can-Happen.

Eight women battle it out with strength, wits, bribery, you name it. Our celebrity judges make the final decision, and when a champion is named, the proceeds are donated back to the winning wrestlers organization, with the other seven companies earning whatever they raise from the crowd.

Along with Show Box L.A., this brawl features representatives from Sacred Fools, Ghost Road, Collaborative Arts LA, Opera del Espacio, Son of Semele, Moving Arts and Poor Dog Group. L.A.

• • •
ABOUT L.A. LAW
L.A. LAW is part of the national non-profit Collective of Lady Arm Wrestlers or CLAW (clawusa.org). It is One part Theater. One part Wrestling. One part Anything Can Happen. And all the money raised is donated back to our communities. In the spirit of WWF, Roller Derby, and burlesque, the Los Angeles chapter is part of a growing national movement. These spectacles are a strange brew of performance art, burlesque, sport, and grassroots fundraising, where women create wild personas, theme songs and entourages, and solicit money from the audience.

press: Swap/Meet #01

Experimental, Improvised Dance Energizes in ‘Swap/Meet’ at Bootleg Theater

“Though Show Box LA has only recently become the proud recipient of a handful of financial awards from public and private sources, local audiences continue to reap the rewards of this forward thinking not-quite-an-institution. This past weekend, the multi-faceted amoebic structure brought Abby Crain and Margit Galanter, two movement-based artists from San Francisco, into Southern California to make their Los Angeles debuts, sharing a program with Wolfe. They’re the pilot production of “Swap/Meet,” the new Show Box LA initiative that “connects dance communities through performances, workshops and exchanges,” as stated in the evening’s program at the Bootleg Theater.

Promotional materials mention the investigative nature of the work on display and the strong part improvisation plays in these artists’ oeuvres… the opening up of the creative process can be illuminating and compelling to witness.

Three cheers for Show Box LA moving forward! Let’s keep our eyes open for the next launch!”

-Benn Widdey, LAist.com

+++

Swap/Meet #01: Los Angeles/San Francisco

August 24–26, 2012

Friday–Saturday at 7:30pm & Sunday at 3pm
Bootleg Theater
2220 Beverly Blvd, Los Angeles, CA 90057

Featuring Abby Crain, Margit Galanter and Meg Wolfe
Swap/Meet #01 brings together the dance worlds of Northern and Southern California, featuring LA’s Meg Wolfe and Bay-Area artists Abby Crain and Margit GalanterShow Box LA launches its latest initiative at Bootleg, kicking off Swap/Meet with work that demonstrates a commitment to investigative practices and improvisational forms. Abby Crain presents a group work This is nothing new. These are some things we are chewing on, and this time you can watch. Margit Galanter presents her solo, Relay: Living Things Shine On. And Meg Wolfe performs a new solo work, calling it something else for now, created with long-time collaborator, composer Aaron Drake.

In conjunction with these performances, Margit Galanter offers her workshop BEING SCENE at Bootleg on Saturday, August 25, 2012.

Presented with generous support from the City of Los Angeles Department of Cultural Affairs.

• • •
ABOUT THE ARTISTS

ABBY CRAIN is a dancemaker and performer with roots in both the Bay Area and the New York performance worlds. She has presented work in New York, Los Angeles, and San Francisco.  She danced with Miguel Gutierrez and the Powerful People from 2001 to 2009, with David Dorfman Dance from 2001-2003, and has worked extensively with Sara Shelton Mann. She regularly teaches and makes work with Margit Galanter under the moniker ARTWORKOUTS with can be viewed at artworkouts@wordpress.com and is engaged in an ongoing collaboration around movement, language and performance with Bay Area poet, David Buuck.

MARGIT GALANTER’s fascination regarding the construction and value of movement has drawn her to collaborative embodied research for decades. Margit is a movement investigator and dance poet living in Oakland, CA, and she presents and teaches inter/nationally – places like Mills College, Naropa University, city streets, PS122, Movement Research, SOMAFest, and Pieter Performance. Her work is highly influenced through her ongoing artistic research strands and her long-term practice in movements as diverse as Lisa Nelson’s “Tuning” Scores, Steve Paxton’s Material for the Spine, Wild Goose qigong, Amerta Movement (Javanese movement meditation developed by Suprapto Suryodarmo), The Feldenkrais Method, and Open Source Releasing technique. In the Bay Area, she collaborates with Abby Crain through Art Workouts, as well as media artist Kadet. Her practice, Physical Intelligence, encompasses her unique perspective, helping people experience the innate clarity and vitality one can uncover through the potency of movement.
www.margitg.wordpress.com
www.physicalintelligence.org

Noted by the Los Angeles Times as one of the “Faces to Watch in 2012”, MEG WOLFE is a LA-based choreographer/performer, co-editor of itch Dance Journal, and the founder and artistic director of Show Box LA. Her full-evening work, trembler.SHIFTER,  was a 2011 National Performance Network Creation Fund Project, commissioned by REDCAT (Roy and Edna Disney/CalArts Theater).  Her work has been presented on the west coast at REDCAT, Segerstrom Center for the Arts/Off Center Festival, CalArts, Highways Performance Space, Anatomy Riot, Sea and Space Explorations, among others. Her projects have been supported by funding from the National Performance Network Creation Fund, the Center for Cultural Innovation ARC Grant, the Durfee Foundation ARC Grants, Danspace Project Commissioning Initiative, and Meet the Composer Fund; multiple residencies at the Djerassi Resident Artist’s Program; the Hothouse Residency program at UCLA, and others. Based in Los Angeles since 2004, Wolfe’s prior work occurred in NYC in the works of Vicky Shick, Sigal Bergman, Molissa Fenley, Clarinda Mac Low, and Susan Rethorst.
www.megwolfedance.org

Margit Galanter: Being Scene

Saturday, August 25, 2012

11am–2pm
Bootleg Theater
2220 Beverly Boulevard, Los Angeles, CA 90057

In this workshop, we’ll investigate our creative practice threads while dealing with the explicit challenges of presence, communication, and collaboration. We’ll work in the rich arena of multisensoriality, receptivity, stillness, and one’s own unique performativity. Solo action <-> group action, tuning, and warming-up as a compass for compositionally brilliant presencing. One of the mysterious challenges of performing is to see and be seen at the same time, and with that, sensing while acting. Being Scene is a forum for sensuary live installation experiments, highly influenced by the mosaic of somatics and sensory perceptual research.

Presented by Show Box L.A. in conjunction with Swap/Meet #01 at Bootleg Theater, August 24–26, 2012

• • •
ABOUT MARGIT GALANTER
Margit Galanter’s fascination regarding the construction and value of movement has drawn her to collaborative embodied research for decades. Margit is a movement investigator and dance poet living in Oakland, CA, and she presents and teaches inter/nationally – places like Mills College, Naropa University, city streets, PS122, Movement Research, SOMAFest, and Pieter Performance. Her work is highly influenced through her ongoing artistic research strands and her long-term practice in movements as diverse as Lisa Nelson’s “Tuning” Scores, Steve Paxton’s Material for the Spine, Wild Goose qigong, Amerta Movement (Javanese movement meditation developed by Suprapto Suryodarmo), The Feldenkrais Method, and Open Source Releasing technique. In the Bay Area, she collaborates with Abby Crain through Art Workouts, as well as media artist Kadet. Her practice, Physical Intelligence, encompasses her unique perspective, helping people experience the innate clarity and vitality one can uncover through the potency of movement.

For more information visit www.margitg.wordpress.com